Joan of Arc on the Stage and Her Sisters in Sublime Sanctity

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Éditeur :

Palgrave Macmillan


Collection :

Bernard Shaw and His Contemporaries

Paru le : 2019-11-08

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Description
This book examines the figure of Joan of Arc as depicted in stage works of the nineteenth and twentieth centuries, especially those based on or related to Schiller’s 1801 romantic tragedy, Die Jungfrau von Orleans (The Maid of Orleans). The author elucidates Schiller’s appropriation of themes from Euripides’s Iphigenia plays, chiefly the quality of “sublime sanctity,” which transforms Joan’s image from a victim of fate to a warrior-prophet who changes history through sheer force of will.  Finding the best-known works of his time about her – Voltaire’s La pucelle d’Orléans and Shakespeare’s Henry VI, part I – utterly dissatisfying, Schiller set out to replace them. Die Jungfrau von Orleans was a smashing success and inspired various subsequent treatments, including Verdi’s opera Giovanna d’Arco and a translation by the father of Russian Romanticism, Vasily Zhukovsky, on which Tchaikovsky based his opera Orleanskaya deva (The Maid of Orleans).  In turn, the book’s final chapter examines Shaw’s Saint Joan and finds that the Irish playwright’s vociferous complaints about Schiller’s “romantic flapdoodle” belie a surprising affinity for Schiller’s approach.
Pages
281 pages
Collection
Bernard Shaw and His Contemporaries
Parution
2019-11-08
Marque
Palgrave Macmillan
EAN papier
9783030278885
EAN PDF
9783030278892

Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
28
Taille du fichier
4485 Ko
Prix
84,39 €
EAN EPUB
9783030278892

Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
28
Taille du fichier
8530 Ko
Prix
84,39 €