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On Living in an Old Country

The National Past in Contemporary Britain

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OUP Oxford


Paru le : 2009-02-26



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The hulk of Henry VIII's flagship is raised from the seabed in an operation that captures the mind of the nation. The leader of the Labour party wears an informal coat at the Cenotaph and provokes a national scandal. An elderly lady whose ancient house is scheduled for demolition dismantles it, piece by piece, and moves it across the country... On Living in an Old Country probes such apparently fleeting and disconnected events in order to reveal how history lives on, not just in the specialist knowledge of historians, archaeologists and curators, but as a tangible presence permeating everyday life and shaping our sense of identity. It investigates the rise of 'heritage' as expressed in literature, advertising, and political rhetoric as well as in popular television dramas, conservation campaigns, and urban development schemes. It explores the relations between the idea of an imperilled national identity and the transformation of British society introduced by Margaret Thatcher. This is the book that put 'heritage' on the map, opening one of the defining cultural and political debates of our time, and showing why conservation is a subject of such broad significance in contemporary Britain. This new edition includes an extensive new preface and interview material reflecting on the ongoing debate about the heritage industry which the book helped to kick-start.
Pages
n.c
Collection
n.c
Parution
2009-02-26
Marque
OUP Oxford
EAN papier
9780191567612
EAN PDF
9780191567612

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2468 Ko
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9,39 €

Patrick Wright is a writer and broadcaster with an interest in the cultural dimensions of modern life. He is the author of a number of highly acclaimed best-selling history books, including The Village that Died for England, Tank (described by Simon Schama as 'a tour de force'), and Iron Curtain, which John le Carre described as 'a work of wit, style and waggish erudition.' He has written for many magazines and newspapers, including the London Review of Books, the Guardian, the Washington Post, the Independent, and the Observer, and has made numerous documentaries on cultural themes for both BBC Radio 3 and 4. His television work includes The River, a four-part BBC2 series on the Thames. He is also a Professor at the Institute for Cultural Analysis at Nottingham Trent University, and a fellow of the London Consortium.

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